Welcome to GIBBIN HOUSE!

When I first started this blog about the misadventures of a nascent author, I had only a small novel under my belt, titled Gibbin House. The building that bears the name is a fictitious postwar era safe-house, as many might have existed, and the London home of my motley crew of exiles. I could not anticipate then the degree to which I would join its ranks of writers and artists, but since publishing my book in 2011, I have had the greatest privilege of opening my own art gallery and of exploring my love of the written word through visual poetry and paper sculptures. Yet much like the girl who first started blogging two years ago, I suspect I don't know what I'm doing half the time. As such, Gibbin House remains a refuge for ramblings...and on occasion a haven for little triumphs.

Friday, August 16, 2013

KONZEPTION: My New Literature/Art Project Unveiled!

Be the first to read up on my new series KONZEPTION, an unprecedented literature/art installation project, recently unveiled on August 10th, 2013 and scheduled to last through Summer 2014 with the completion of "Humboldt's Riches":

KONZEPTION – a cross-pollinating literary fiction and art installation project – aims to make a novel visually manifest by interpreting its creative process concurrent with its evolution, from inception to publication, through works of cut-paper sculpture and mixed media visual poetry installations.  The art works become inextricably linked to the written word with the novel’s opening lines, which are composed within the first piece in the series “Konzeption: Prologue”.  Subsequently, as the writing process continues, the novel’s themes and events inform new installations, while they in turn serve as springboards and incubators for later chapters. 

 KONZEPTION marries Carola Perla’s prose work with her sculptural ‘Lichtsprache’ – lighted cut-paper sculpture and visual poetry installations.  She created her first installation, “Off the Page” (2011), as a direct reaction to the hermetic process of writing her debut novel “Gibbin House”.  Her desire to visually celebrate the completion of this book led to further exploration in ‘lighted’ words and cut paper that incorporated published text as well as in situ ‘poetry chants’.  KONZEPTION  picks up where “Off the Page” left off, examining the birth of the novel instead.  The source here is the in-progress literary fiction novel “Humboldt’s Riches”, a semi-autobiographical Heart of Darkness that follows a young family’s escape from the remote Amazon region of Apurimac during Peru’s 1980 guerilla uprisings.

“Konzeption: Prologue”, written in a similar way to other ‘poetry chants’, sets the stage for this South American adventure story.  Breathlessly, it describes the dangerous task of driving in the Andes.  As a spontaneous composition, the prologue cannot be amended.  With no space for error, the artist is much like the Andean driver, maneuvering on a knife’s edge, aware that each carved word will irrevocably form part of the novel’s opening scene. Above the lines hangs the second sculptural element of the piece, a theatrical curtain that introduces this story.   Ruffled and fragile, with lace-like lattice cuts, the constructed white ‘curtain’ is meant to work simultaneously fragile as well as imposing and precarious in its weight and irregularity. Like an avalanche, with its frayed layers casting craggy shadows, the curtain portends the nebulous beginnings of something.

“Konzeption: Prologue” was unveiled on August 10, 2013, officially launching the KONZEPTION series that is projected for completion in summer 2014.  A special-edition photo book documenting the KONZEPTION project will be released as a companion to "Humboldt's Riches" upon publication. 

No comments: